Fly Me to the Moon is a surprisingly charming film that speaks to our period of AI anxiousness.
Close to the top of The Truman Present, Truman Burbank (performed by Jim Carrey) flees his residence in the course of the evening. He’s come to imagine that his environment are pretend, that the individuals round him are actors, and that the whole lot he does is being broadcast as “genuine” leisure to an viewers. He’s proper, in fact: Watching over him is the godlike Christof (Ed Harris), this system’s mastermind. “Cue the solar,” orders Christof. And out comes the “solar,” bathing the huge soundstage in synthetic mild.
Within the new movie Fly Me to the Moon, the solar additionally rises on cue over a soundstage constructed to delude viewers. The film follows a secret authorities mission to pretend the moon touchdown and, like The Truman Present, explores the ability of televised photographs whereas hitting theaters at a pivotal second in human technological progress. But when the 1998 movie was a prescient tragedy scrutinizing the rise of actuality TV and social media, Fly Me to the Moon turns our brewing anxiousness round pretend movies and AI-driven content material into, of all issues, a breezy screwball romance. The movie doesn’t supply a lot knowledge about how we should always take care of our rising unreality, however it’s a charming diversion. In a approach, its very shallowness is the purpose: Typically, the movie posits, what we need to see issues greater than what we really do.
At the very least, that’s what Kelly Jones (Scarlett Johansson), a chipper advertising and marketing maven employed to show NASA’s public picture round, believes when she first arrives in Florida. Striding round Cape Canaveral, she instantly catches the eye of—after which clashes with—Cole Davis (Channing Tatum), the buttoned-up, tightly wound launch director of the Apollo 11 mission. She’s all spunk; he’s all nerves. She’s satisfied that the mission may very well be simply the factor Individuals must maintain their minds off the Vietnam Struggle. He thinks his work ought to stay behind closed doorways. Earlier than lengthy, she’s turned the campus right into a set, utilizing ethically questionable strategies. The astronauts depart their posts to pose for picture shoots. Actors are employed to play gawky scientists throughout interviews. And the president’s shadowy lackey, Moe (Woody Harrelson, having a blast), lets Kelly place a digital camera on board the shuttle. Fly Me to the Moon casts the house race as nothing greater than a multimillion-dollar advert marketing campaign for America—one that will succeed if solely the 2 absurdly handsome individuals on the story’s middle obtained alongside.
The movie’s unfastened interpretation of historic occasions treads perilously near disrespect at occasions, if not plain foolishness. (The Apollo 1 fireplace is revisited repeatedly as a part of Cole’s backstory, turning tragedy right into a fictional factoid.) However Fly Me to the Moon is fueled by a retro, keen sincerity, together with a profitable comedian flip from Johansson, whose cheery line readings include a splash of self-doubt, grounding the story in Kelly’s rising concern over whether or not she needs to be so overtly manipulating the general public. All the pieces within the film comes off as slightly too Hollywood-perfect, whether or not it’s Johansson’s wigs or Tatum’s “smartphone face” or the brisk banter between the 2. But this veneer feels intentional, deployed to underline the movie’s curiosity in how simply a elegant presentation can woo audiences into believing what they’re seeing. The jokes, too, are inoffensively enjoyable with out being overly foolish: Kelly demonstrates a knack for over-the-top accent work; Johansson’s husband, Saturday Night time Dwell’s Colin Jost, pops up as a daffy politician; and punch strains concerning the director Stanley Kubrick, believed by real-life conspiracy theorists to have faked the moon-landing footage, abound.
Fly Me to the Moon’s personal director, Greg Berlanti, in the meantime, is accustomed to the attraction of a colourful pastiche; he’s the uber-producer behind the CW’s run of DC Comics reveals, in addition to Riverdale. Right here, he nods to space-race movies corresponding to The Proper Stuff and zippy satires corresponding to Wag the Canine, filling the film with nostalgic photographs and acquainted tropes: There’s the slow-motion astronaut stroll, plentiful pictures of characters gazing at starry skies, and a mercurial Hollywood director performed by Jim Rash whose sole goal is barking outrageous calls for.
Although the movie drags within the remaining act, the tone is so lighthearted, the characters so earnest, and the chemistry between Johansson and Tatum so cute that it’s simple to get swept up in its fiction. Some doctoring of photographs and movies begins to really feel purely like an excellent contingency plan. By no means thoughts that NASA is coping with price range cuts today; that Boeing, an organization closely featured within the movie, is now not a sterling instance of American ingenuity; or that our world has turn into a relentless camera-ridden panopticon. The comic and author Nathan Fielder’s current output could be higher suited to supply mankind large leaps in its understanding of actuality, the way in which The Truman Present as soon as did. Fly Me to the Moon, for higher or worse, is content material to stay a small, satisfying step.
